ORFEO CD C 728 082 BWith her radiant soprano voice, she ensured that under Karajan’s direction the “Libera me” towards the end of the work left an overwhelming impression. As Clemens Höslinger wrote at the time, the “Hostias” was sung “as if by a ‘vox coelestis’” by the tenor Nicolai Gedda, who in one of his earliest appearances in Vienna gave proof of his unique gifts and musicality, qualities that were to enthral music lovers for decades to come. The Italian bass Giuseppe Modesti was then at the height of his career. A member of the La Scala ensemble, he gave guest performances all over the world, impressing Viennese audiences, too, with his true basso profundo. The Verdi Requiem was also one of the cornerstones of the repertory of the Mexican contralto Oralia Dominguez. Although she was not yet thirty, she had already appeared under such eminent conductors as Victor de Sabata and Ferenc Fricsay in addition to Karajan himself. It goes without saying that with an ensemble of this excellence Karajan’s interpretation, even on CD, is in no way inferior to his later readings of the work but offers a highly interesting alternative in terms of its vivacity and brio.